An exploration of the portrayal of power in character relationships through elements of status, race and education, with focus on Blue/Orange by Joe Penhall.

How does Okot p'Bitek in his poems “Song of Lawino” and “Song of Ocol” use conflicting characters to depict the clash between modernisation and preservation of culture in post-independence Uganda?

What does the use of film features in Bong Joon-Ho’s film Parasite reveal about wealth inequality?

How does Benetton use shock advertising to confront racial inequalities and human rights issues, and to what extent does this strategy effectively challenge societal biases or risk reinforcing them?

How does Ava DuVernay use rhetorical strategies (logos, pathos, ethos) in 13th to challenge societal perceptions of systemic racism and mass incarceration in the United States?

How does Charlie Brooker use colors and lighting in the idiosyncratic tv-show Black Mirror to explore how technology threatens the authenticity of human relationships?

How does Jeannette Walls use tone to illustrate perspectival change within the context of an abusive childhood in her memoir, The Glass Castle?

How does William Shakespeare utilize soliloquies in the perspective of Macbeth in the play Macbeth to portray his growing detachment from his surroundings?

How does Henrik Ibsen use the recurring symbol of the pistols in Hedda Gabler to explore the interplay between gender and power?

How does Marjane Satrapi’s Persepolis use varied graphic techniques to represent and adapt the classic genre of the 'Bildungsroman' for 21st century global readers?

In what ways does Carol Ann Duffy deconstruct patriarchal manipulation in the female experience and subvert power dynamics through animalistic imagery and relationships with vulnerable girls?

In what ways does Tim O’brien demonstrate the psychological struggles experienced by soldiers during the Vietnam War in The Things They Carried?

In what ways and to what effect does Duffy use literary techniques in her collection of poems The World’s Wife to subvert traditional historical narratives by giving a voice to female characters who were otherwise overlooked in the past?

Through what means does Carol Ann Duffy successfully shape the portrayal of the complexity of reclaimed female voices and subvert traditional patriarchal narratives?

How Does Hayao Miyazaki Use Symbolism to Represent the Transition of the Main Character from Childhood to Maturity in his Film “Spirited Away”?

In what ways does Lynsey Addario employ lighting, camera angles and placement to expose the resilience and vulnerability of women in conflict zones?

How does William Shakespeare utilize characterization in his tragedy King Lear to convey the transformation of family relationships during Elizabethan era?

How and to what effect does the Netflix Series Black Mirror by Charlie Brooker use musical contrast between on-screen events to emphasize the sense of isolation caused by a technology-dependent society?

In what ways is John Oliver ‘s comedic approach successful in effectively raising awareness about the magnitude of the inadequate response to the coronavirus pandemic by political figures though his “Last Week Tonight: Coronavirus” series?

How does Kendrick Lamar use linguistic devices in the art of peer pressure, money trees and u to communicate how societal pressures lead to loss of identity and moral values?

How does Stephen Chbosky's 2012 film, 'The Perks of Being a Wallflower', utilize narrative elements and cinematic techniques to depict the complexities of adolescent identity and search for love?

How are the cultural/societal constraints for women in the Shakespearean era reflected in the characterization of the women in Shakespeare’s Hamlet?

How does Walter Astrada represent the pain and violence against women in his photography collection titled “Femicides in Guatemala”?

How does social stratification affect the morality or the moral standards of The Great Gatsby in the given social context?

In what ways and to what effect does Marjane Satrapi illustrate the struggle for identity formation in Persepolis: A Story of a Childhood?

How and to what end are stylistic devices utilised in portrayal of masculinity in the late 20th century Marlboro advertisements?

To what extent does the film Dead Poets Society by Peter Weir promote the pursuit of passion and self-expression?

How Does Michelle Obama’s Use of Transformative Narratives in Her Speeches Inspire and Empower Audience to Affect Personal and Societal Change?

How does Banksy utilize visual and textual elements in his artworks in order to transform the publics opinion on capitalisms prominence in modern-day society?

How does William Shakespeare portray the transformation of Othello’s character caused by jealousy in his tragic play Othello?

How does Jordan Peele represent racism in the 21st century in his thriller movie ‘Get Out!’?

How does Shakespeare use characterisation to conform to and challenge gender roles and expectations in the play Macbeth?

How and to what effect do the motifs of light and darkness represent the presence and interconnectedness of both joy and suffering in Banana Yoshimoto’s Kitchen?

How does Barbara Kruger’s usage of imagery, text, and coloring in her different artworks create relations in order to employ women’s bodies and beauty standards in society?

How does Beyoncé portray the American Black Southern identity struggle by reclaiming cultural elements in the visual album Lemonade?

How do Angela Carter’s short stories in “The Bloody Chamber” portray gender roles through associations with nature to resist patriarchal and androcentric customs in society?

In what ways does Henrik Ibsen, in his play, A Doll’s House, employ stylistic features to communicate the Victorian social codes of the 1870s?

How and to what effect does William Shakespeare use notions of duplication and duality in Hamlet to explore the cyclical adversity of revenge?

How is symbolism used by Marjane Satrapi to depict the turbulent society of 20th-century Iran in the graphic novel ‘Persepolis’.

In her poems, how does Szymborska provide a commentary on the dehumanizing process of the progressive concession of identity for capitalistic success?