How effective is the implementation of the Theatre of the Sphere: The Vibrant Being in the production of Zoot Suit in 2003 in San Juan Bautista, CA, USA, by Kinan Valdez and Luis Valdez?

To what extent are Brechtian techniques used in the Berliner Ensemble’s 1957 production of ‘Mother Courage and Her Children’ still relevant in contemporary productions of the same play?

To what extent can Japanese artists integrate culture into Western works of theatre to create a form of intercultural understanding between two distinct cultures? (East Meets West: Analysing Satoshi Miyagi’s use of Noh Theatre and Japanese Culture in his interpretation of Sophocles’ Greek Tragedy Antigone)

Modern Interpretation of the Greek chorus